Quotes

“Peter is one of those very rare creatures — a wonderful illustrator and designer, a creator of striking single images — who also understand that comics are a whole different ball game and does both beautifully. It’s been a joy and an honor to work with him.”
/Mike Mignola

Mortal Terror

The Art: Bergting delivers some beautiful art in the issue. The visuals are dynamic, brilliantly detailed and filled with amazing action and thrills.
– The Super Powered Fancast

The art and coloring in this comic is truly worth commending … In addition, the character designs are truly brilliant, evoking a sense of nostalgia, and their art style stands out in comparison to other contemporary comics.
–The Comic Book Dispatch

Even more, for every panel in this comic, it feels like a million words are being said. Series artist Peter Bergting, aided by colorist Chris O'Halloran, delivers a world that is fully formed from the first panel, piecemealing the reader with all the clues they need about how life in this story functions. Bergting also manages to evoke a great deal of mood throughout, harking back to the work of his former collaborator Mike Mignola.
– Comicbook.com

The advantage of this series from an artistic standpoint is that Golden is joined by artist Peter Bergting, who previously worked together (in varying degrees) across Festival and the excellent Baltimore. And that Baltimore connection really shines here — it feels wholly similar in a lot of great ways (the sense of dread, the playful approach to the vintage style and energies, etc.) even as it maintains its own structure and outlook.
– AIPT Comics

The expressiveness of the characters is impressive, often carved out in bold, decisive lines that carry a marked personality of gentleness or grotesquery, breathing life and animacy into the undead world. The use of silhouettes is a nice touch, drawing out a Victorian by-the-gaslight atmosphere with flair.
– CBR

Gängkrig 145

“Gang War 145 is strikingly illustrated by Peter Bergting, it’s cinematically and personally done. Text and image complement each other well – almost like in a Beckett play where the stage directions provide new dimensions to the dialogue.”
– Göteborgs-Posten

“Together with Peter Bergting’s thoroughly professional narrative imagery, Lapidus has created an action comic of high quality. /…/ The narrative style of Gang War 145 is reminiscent of Frank Miller, the creator of the Sin City comics. It’s paired down and driven, a page turner that charges on like an action movie.”
– Borås Tidning

“This season’s most important novel is sneaked out onto the market disguised as a graphic novel. And not just any old comic book, but possibly – objectively speaking – the best Swedish comic book ever.”
– Kristianstadsbladet

“This is the best Swedish graphic novel I have read.”
– Norra Skånes Tidningar

“In the fantastic hands of illustrator Peter Bergting, the Stockholm settings where Mahmud, Javier, Babak, and the policeman Hägerström operate are more raw and dark than ever. /…/ The result is an eye-catching novel, a moment of entertainment, and a credible portrait of the shady Stockholm underworld.”
– Östersunds-Posten

“Bergting’s dark, dramatic, and action-packed illustrations are a perfect match to Lapidus’ language and style, and I also detect a hint of irony aimed at the hard-boiled genre itself. Very liberating and highly entertaining, and I can’t wait to get back to the couch because I still have a few cool pages to enjoy.”
– Skånskan

“Bergting is terribly skilled, and easily compares to the greatest names in the American comics industry.”
– Allehanda

The Portent

“Bergting ends the issue with a fantastic gigantic image: the issue was building to it, and it’s just bad ass, there’s no other way to put it. I love the look and the stance. I’m on pins and needles for a month. Overall grade: A+”
– Sci Fi Pulse

“Peter Bergting has several of the most memorable panels of the year so far in this one issue alone. “
– Newsarama

Frankenstein

Peter Bergting adds his own style to the book with no constraints. Using bold ink lines, Bergting fills the panels with details that spread far and wide, creating an impressive depth of field.
– CBR

“Both quintessentially a Hellboy Universe book, and yet like nothing else we’ve seen before in the Hellboy Universe before. Bergting’s art truly transports us into a new world, while embellishing it with compositions and pacing that tap into a Mignola-esque mood.”
– Multiversity

“Bergting crafts some beautiful art in the issue. The look of the world is wonderful and unique and definitely a feast for the eyes.”
– Super Powered Fancast